Elisabeth Pfeiffer
"Elisabeth is clearly a masterful player and intelligent
arranger and her interpretations of the old and the new diverge effortlessly
into a highly enjoyable compendium of solo music akin to the late great Lyle
Ritz." (Mike Flaherty for Uke Magazine, December 2019)
Bio
Elisabeth Pfeiffer majored in classical guitar, both at
Lawrence University, Appleton, WI, USA and Hochschule für Musik, Würzburg,
Germany. In 2013 she took up a ukulele and never looked back. Since, she has
written three method books on strumming and picking techniques and fretting
concepts. Since 2020 she has published various repertoire books for ukulele
solo, including transcriptions of Renaissance guitar literature, as well as
extensive collections of her own Ukulele etudes. On stage she performs solo arrangements
of Pop & Rock Songs, Renaissance Music and Neue Musik. She is working to
expand the solo repertoire for the ukulele with her own works and by
commissioning compositions.
Elisabeth is currently a PGR student at the University of
Surrey.
From the fall semester 2023 she's teaching "ukulele
methodology" at the ZHdK
University of Arts Zurich.
More Testimonials
"(…) a festival favourite across Europe known for her
great workshops, her playing & her ace personality." (TeamGNUF)
"We can't imagine a festival without her. She offers a
great variety of workshops for all levels and her concerts are beautiful. She
is also a very important promoter of our festival! We are lucky to have you
again in 2019, Elisabeth!" (Elisabeth Flik – Austrian Ukulele Festival)
"Elisabeth Pfeiffer is one of the few artists in the
European Ukulele scene who prove that women can wow an audience solely with
their virtuoso ukulele playing and that they don't necessarily have to sing,
although she can! It's so much fun seeing her rock the stage by herself and
together with friends" (Sabina Saracevic – Berlin Ukulele Festival)
"(…) The intensity and care of her play clearly
demonstrates not only her feeling for the music and the instrument, but also
her intimate relationship with the songs that she has selected for her
arrangements, arrangements that often give the original a more
introspective angle, with a delicacy that might not be automatically expected."
(Ben Anderson – Czech Ukulele Festival)